Background information
Born	June 21, 1938 (age 82)
Origin	Scottsville, Virginia, United States
Genres	Bluegrass (with jazz, country, folk and rock influences)
Occupation(s)	Touring and recording instrumentalist / singer, band leader, writer, arranger, record producer / engineer, inventor, ETC
Instruments	Banjo, guitar, bass, mandolin
Years active	1949–present

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Eddie Adcock (born June 21, 1938 in Scottsville, Virginia)^[1] is an American banjoist and guitarist.

His professional career as a 5-string banjoist began in 1953 when he joined Smokey Graves & His Blue Star Boys, who had a regular show at a radio station in Crewe, Virginia. Between 1953-57, he founded or played with different bands in Virginia and Washington DC, such as his Virginia Playboys, Smokey Graves and the Blue Star Boys, Bill Harrell, and Mac Wiseman's Country Boys. Bill Monroe offered a job to Adcock in 1958, and he played with the Blue Grass Boys until he could no longer survive on bluegrass' declining pay due to the onslaught of Elvis Presley who cornered all music markets. Adcock continued in music and also returned to working a variety of day jobs including auto mechanic, dump truck driver, and sheet metal mechanic. Then Charlie Waller and John Duffey asked Adcock to join their struggling new band, The Country Gentlemen, whereupon their vocal and instrumental synergy prompted a reinvention and elevation of their sound, soon revitalizing bluegrass music itself.^[2] They are the first group to be inducted, in 1996, into the International Bluegrass Music Association's Hall of Fame as a band entity.

Adcock has performed with his wife Martha since 1973 in bands II Generation - the first definitively newgrass group - then as Eddie & Martha Adcock, country rock band Adcock, bluegrass' Talk of the Town, The Masters, the Country Gentlemen Reunion Band, and the Eddie Adcock Band, as well as with country outlaw David Allan Coe. Most recently he tours almost exclusively with wife Martha and calls Lebanon, Tennessee his home. Eddie belongs to a number of business organizations, including IBMA and the Folk Alliance. He has served on the Board of Directors of the IBMA, Tennessee Banjo Institute and others. Generate traffic and interest with an online poll. Eddie and Martha also founded and ran Adcock Audio, a large, state-of-the-art sound company, serving bluegrass-related festivals from the early '70s until 2006, and from that time until the present have also recorded and produced themselves and others both outside and in-house at their own SunFall Studio.^{[citation needed]}

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Matthew Adcock is on Facebook. Join Facebook to connect with Matthew Adcock and others you may know. Facebook gives people the power to share and makes. It wasn't until 2015 that McMurtry - who tours frequently and has a weekly residency at Austin's Continental Club when he's not on the road - finally completed a new solo album, Complicated Game, which was produced by C.C. Adcock and Mike Napolitano. Steve Huey & Mark Deming.

Adcock has dubbed the tribute Buck-A-Roux II — a nod to another show held in his honor at Antone's, an iconic blues venue in downtown Austin, Texas. The first Buck-A-Roux happened just three.
New York and Los Angeles have generated large chunks of American popular music since the dawn of the phonograph, but both cities are so large and diverse that neither has really had a "sound." The styles that formed the foundation of American music sprung up in the middle of the country, in Chicago, Kansas City, Nashville, Memphis, and Austin. And then there's the strange case of.

Early years[edit]

Learning to play on numerous instruments brought into the home by an older brother, young Eddie, with his brother Frank, played and sang as a duo in local churches and on radio stations in nearby Charlottesville. Eddie sold a calf he raised to buy his first banjo as a young teenager and immediately began touring regionally with Smokey Graves. His hobbies were boxing and drag-racing cars. As a racer, Adcock racked up 34 straight wins with his car, which he named Mr. Banjo; he also set two track records at Manassas, Virginia. He also performed various blue-collar jobs to pay the rent. All the while, he played music at night.^[3]

With the Country Gentlemen[edit]

The Country Gentlemen originated in Washington, D.C. as the result of an automobile accident involving members of singer Buzz Busby's band, which included Eddie Adcock. To fulfill upcoming dates, member Bill Emerson called other musicians to step in; and due to the injured members' long recovery times the substitute band decided to stay together, soon naming themselves the Country Gentlemen. The band’s original members were Bill Emerson on banjo and baritone vocals, Charlie Waller on guitar and lead vocals, John Duffey on mandolin and tenor vocals, and Larry Lahey on bass. Soon after Adcock's arrival the band settled into an undeniably synergistic lineup consisting of Adcock, Waller, and Duffey, with Tom Gray on bass.^{[citation needed]} This particular lineup, with Adcock serving as sparkplug, became known as the 'classic' Country Gentlemen, the team who drove the bluegrass sound and repertoire to new levels of experimentation, expertise, and excitement. During his tenure with the Country Gentlemen, Adcock adapted thumbstyle, or 'Travis-style', guitar finger picking and pedal steel guitar playing to the banjo, which remain unique innovations on the instrument. In addition, his driving, percussive and syncopated jazz-based single-string, soulful string-bending, and lush chordal approaches were at the heart of the group's new-form bluegrass instrumental style, as developed in the interplay between Adcock's mind-blowing fireworks-like innovations, Duffey's jazzy mandolin licks, and Waller's forceful guitar rhythm. Additionally, Adcock's powerful, assertive baritone singing also set a new standard in bluegrass trio singing and became an much-emulated model. The Country Gentlemen's style and repertoire fundamentally changed bluegrass, and the group was notably the first newgrass-slanted band and arguably the forerunner of modern bluegrass as a whole.

Then Eddie met Martha[edit]

In 1970 Eddie left The Country Gentlemen and moved to California, where he formed a country-rock band called The Clinton Special. While he performed with the group he used the pseudonym Clinton Codack. Returning east and forming II Generation, he met Martha Hearon^[4] in 1973; they would marry three years later and have remained partners in music and life, garnering fans and great acclaim while touring worldwide in nearly a dozen countries from Europe to Japan. The dynamic duo of Eddie and Martha Adcock has become known as “the biggest little band in Bluegrass”. Cashbox magazine and Billboard magazine have both named them “one of the Bluegrass circuit's top acts”. Eddie and Martha have recorded a number of well-received albums on several labels and concentrate on performing as a duo, as well as playing some concerts with bassist Tom Gray.^{[citation needed]}

Eddie and Martha, AKA The Adcocks, have appeared on Austin City Limits, Song of the Mountains, Grassroots to Bluegrass, Ernest Tubb's Midnite Jamboree, TNN's 'Nashville Now' and Wildhorse Saloon, and a host of NPR specials, as well as syndicated, Internet, and local TV and radio shows worldwide. Their video Dog aired on TNN, CMT, and CNN.^{[citation needed]}

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